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Showing posts with label Philadelphia music. Show all posts
Showing posts with label Philadelphia music. Show all posts

Thursday, February 2, 2012

Guitars, Drums and Desperate Poetry






Frank Turner & The Sleeping Souls- The Theater of the Living Arts, Philadelphia, PA

Frank Tuner never fails to live up to his title as the “King of Punk Poetry.” He opened his set with Eulogy, which is the short opener to his latest album, England Keep My Bones. At the apex of the ditty, Frank belts out, "and on the day I die, I'll say 'At least I f***ing tried!" which shifted the crowd into high gear almost instantaneously. Frank Turner's energy forced me and the only other female in our party from the balcony to the floor, and ultimately, directly in front of the stage left speakers.

The first time I witnessed the greatness that is Frank Turner, he was opening for Social Distortion. I came early to see Lucero… Well, let’s be honest, I wanted to get a good parking spot where I wouldn’t have to worry about walking seven blocks to find that my car had been stolen/broken into.

As luck would have it, Frank sincerely knocked my socks off. He played with the energy that begged the assumption that it was last stop on the tour. During his rendition of I Still Believe, he coached the crowd to echo him and the song more or less blew my mind.

Blew. My. Mind…. to the point where if, in that instant, you had asked me who Mike Ness was, I probably would have stared at you blankly for a solid ten seconds. Let me enforce that I was thoroughly convinced in high school that Mike Ness and I were destined to be together (regardless of the fact that he’s my father’s age).

The instant his set was over, I ran to purchase any of his CD’s I could get my hands on, convinced that my purchase would ensure his return to the U.S…. "To single-handedly revitalize rock music!" I had indulged in a few drinks at this point.

Needless to say, hungover and driving to work the next morning, I listened to my new CD’s, and was far from disappointed at my semi-inebriated purchases.

Back to the present:

I couldn’t tell you the set list, as I was in no position to confer with my notepad that close to the stage, but I can tell you that at some point during Peggy Sang the Blues & I Am Disappeared, my voice gave out. And then, the unthinkable: Dave Hause makes a surprise appearance to sing along to Glory Halleluiah. Sensory aneurysm ensued, and when I came to, Mr. Turner was covering Queen. That was it, I couldn't take it any more. This man is clearly too talented for his own good, of course, as is only my opinion, and I am someone who possesses no musical gifts whatsoever.

Frank Turner has a voice that was clearly strengthened through years of singing in hardcore bands, and he utilizes it at every turn. The endurance he exhibits while playing every show like it’s his last resonates in my heart and forces me to fall head over heels for every sound snippet that makes its way to my grasp.

If you’re looking for an experience rather than a “show,” Frank Turner is your man… Just keep in mind, when he is finally recognized as the second coming of Rock/Punk, it may be hard to get tickets.

Wednesday, January 25, 2012

Flyin' Solo With Twin Atlantic



























Although I am no longer a 22 year old, I had never known the excitement of attending a show alone… Until I bought two tickets to see Twin Atlantic at Philadelphia’s Union Transfer, blissfully unaware that the show was scheduled for the night before Thanksgiving. I’m officially in the age bracket where I am on my second Thanksgiving preparing dinner for friends and family, which entails being up at around 4:00 or 5:00 AM. Therefore, those friends who are not cooking are either visiting parents, traveling out of state or are out drinking fairly early in the evening.

Needless to say, when my boyfriend let me know he couldn’t attend a few hours before the doors opened, I was stuck flying solo. How anyone could not be excited for this show was beyond me. I had taken a half day at work, and was at the venue thirty minutes before the doors opened (another first).

Union Transfer itself is not only laid out perfectly, but restored meticulously.
Surprisingly, it does not carry with it the hungover prostitute smell that normally accompanies the classic music locales, ie: the Trocadero, TLA & Electric Factory. It has yet to be determined if this is a sign of cleanliness or just that the venue just hasn’t been christened yet. *I’ll get back to you after further investigation.*

The last time I was at a show specifically for the first opener was probably in high school, when I promised my chemistry partner I would go see his band. I’m not going to lie; I still get a kick out of being permitted into the “over 21” section when I go to shows.

From my carefully-selected seat in the bar area, I was at a vantage point that allowed me to see the stage for sound check/warm-up. Drink secured in hand, I was lucky enough to see Sam McTrusty, Ross McNae, Barry McKenna & Craig Kneale warm up. I’m assuming this is what my sisters felt like when they went to see the Backstreet Boys when we were younger. Luckily, I had the good sense not to care about them (Yes, I am bragging about that.) Not only did we get a sneak peek, but Frightened Rabbit started blaring through the speakers as filler immediately after Twin Atlantic was finished and the doors were opening.

Barely able to contain my excitement, I entered the main stage area, and nonchalantly leaned against the rail separating the alcohol from the minors….

From the murmurs in the crowd, I could tell that Twin Atlantic’s thick Glaswegian accents piqued the interest of at least half of the attendees. By the end of their first song, the crowd around the stage was growing exponentially, clearly intrigued. Semi-embarrassed about being the only person in my immediate vicinity who knew the words, I held back and remained to the rear of the auditorium.

Unfortunately for those around me, within the first cords of Yes, I Was Drunk, I was in full-blown screaming-along-at-the-top-of-my-lungs mode. Multiple show-goers asked me the name of the band, as clearly, I was the crazy chick who was probably following them around the U.S. in a creepy, windowless van.

The band proved to be better live that I had even expected. The heavy riffs and McTrusty’s throaty, sometimes primal, voice repeatedly hit notes that made the entire room vibrate.

Toward the end of the performance, lead singer, McTrusty, decided to dedicate a song, You’re Turning into John Wayne, to their tour mates; A move that was pretty damn ballsy as it does have some lines, when taken out of context, that can be misconstrued as the band absolutely hating Americans. Fortunately, nobody seemed to pick up on it. As we all know, you don’t insult a Philadelphian about their heritage.

The band closed out their set and proceeded backstage. Thoroughly happy and throat burning, I looked around. Union Transfer was experiencing an influx of confused-looking youngsters wearing “BLAME IT ON MY A.D.D.” t-shirts. **Clearly none of these teenagers have seen PCU, as they would all be classified as “that guy.” If it wasn’t for “those guys,” I probably would have stayed to experience this AWOLNATION thing. Alas, I had a brining turkey to babysit and a decent drive home on one of the biggest road-trip/drunk driver nights of the year.

I can proudly say I was lucky to see Twin Atlantic at their second show ever in our good city. Good show, guys and we look forward to your return!